Pro
Audio
In
1977, Carvin offered a selection of mixers, amps, speakers and other
pro audio components and accessories for any performance situation on any
budget. From small club systems with a 4-channel mixer and a
pair of speakers, all the way up to concert systems with an
18-channel mixer, 4 power amps, and eight speakers and horns, Carvin
had all the bases covered.
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Carvin offered a pair of stereo mixers n 1977, including their
top-of-the-line SM1800 (above) and their SM1200
(right). Both mixers were stereo, with dual 10-band graphic
equalizers, 3 VU meters, electronic crossovers and a variety of
other features. The 18-channel SM1800 sold for $1249.00, and
the 12-channel SM1200 sold for $899.99. |
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Carvin offered a pair of 10 channel mixers in 1977; the MP1000,
which was a 250W powered console, and the MC1000, which was
an unpowered model. Both had a single 10-band graphic
equalizer, dual VU meters, electronic crossover, built in Hammond
reverb and other features. The unpowered MC1000 sold for
$569.00, and the powered MP1000 sold for $699.00. |
Like
the MP1000 series, the MP600 could be had in a 140W powered
unit or a non-powered version (MC600). Both models had
a 7-band graphic equalizer, VU meter, Hammond reverb and other
features. The powered MP600 sold for $429.00, and the
unpowered MC600 sold for $329.00. |
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The
MP400 (left) was Carvin's basic mixer in 1977. It was a
4-channel, 125W RMS model with 2 inputs on each channel, as well as
volume, bass, treble & reverb controls for each channel. Other
features included master volume, bass, treble and reverb controls,
monitor volume, headphone jack and preamp out jack. The MP400
sold for $279.95. |
The
ASG500 was Carvin's primary power amp in 1977. This was
a dual-channel amp, producing 250W per channel @ 2 ohms. This
unit was a standard 19" rack-mountable model, and came in it's own
tolex-covered cabinet. The ASG500 sold for $439.95. |
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Carvin
offered monitor systems, as well as individual monitors in 1977. The
MS500 monitor speaker (above) was equipped with a 12" MagnaLab
speaker, but could also be had with a JBL K120 12" speaker, making the
actual monitor a model JBL517. Wither model was equipped with an
Electro-Voice EV30A horn. The MS500 sold for $130.00, and the JBL
equipped model sold for $199.00. Carvin also offered several monitor
systems, with one or two speakers (in either the MagnaLab or JBL
configuration) with an SV125 or SV250 power amp. For more on the SV125
& SV250 power amps, see the 1977 Guitar Amps
page.
Below
is the R520 horn, which was equipped with a JBL 2470 driver,
and capable of handling 50 watts of power. It sold for
$299.00. Identical in appearance, the R500 horn was
equipped with an Electro-Voice driver, and could handle 60W RMS.
It sold for $179.95. Both models featured Carvin's C-801
crossover, and tolex-covered cases.
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The
PS940 speaker (right) was equipped with a 15" MagnaLab
speaker, EV30 horn and a C801 crossover. The price on
this speaker was $189.00. It could also be ordered with a JBL
K130 15" speaker for $259.00. Additionally, Carvin sold just
the tolex-covered cabinet, with no speaker, but with the horn and
crossover, for $139.00 |
For
bass reinforcement, Carvin offered the JBL1330 folded horn
speaker (right). This speaker came standard with a JBL K130
15" speaker in a folded-horn style cabinet. This model sold
for $269.00. It was also sold with a 15" MagnaLab speaker for
$209.00 (MAG1330). An empty cabinet could also be purchased
for $159.00 (CAB1330). |
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Carvin was an authorized reseller of Shure microphones in the
1970's, and carried an assortment of mics for all applications.
Shown at left is the industry-standard Shure SM58, which Carvin sold
for $97.00. |
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Carvin
offered a variety of pre-packaged PA systems in 1977. Shown at
left is the Stage 1 system, which consisted of a pair of PS940
speakers with an MP600 6-channel mixer. It sold for $759.99.
It could also be ordered with JBL speakers for $899.00. Both
packages came required speaker cords.
Not shown
in the catalog was the Club PA system. This system
consisted of a 125 watt MP400 4-channel powered mixer with a pair of
PS940 speakers. It sold for $549.95. |
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The
Stage 2 system (left) also used the PS940 speakers, but included the
MP1000 powered mixer. It sold for $1049.00. It could be
ordered with JBL speakers for $1189.00. |
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The
Stage 3 system (left) included an MP600 powered mixer, two MAG1330
speakers and two R500 horns. Package price on this system was
$1179.00 It could be ordered as the System 4, which had upgraded
JBL horns and JBL speakers. The System 4 sold for $1539.00 |
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The
Stage 5 system (left) consisted of an MP1000 powered mixer, MAG1330
speakers and R500 horns. It sold for $1749.00. The upgraded
Stage 6 system, with JBL1330 speakers and R520 horns, sold for
$2099.00. |
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The
Stage 7 bi-amped system (left) consisted of two R500 horns, two
MAG1330 speakers, an SM1200 12-channel stereo mixer and an ASG500 power
amp. It sold for $2069.00. The Concert Stage 7, which
had four MAG1330 speakers and four R500 horns, sold for $3199.00.
The Stage 8 bi-amped system was the same as the Stage 7, with two
JBL1330 speakers and two JBL-equipped R520 horns. It sold for
$2439.00. The Concert Stage 8 had four JBL1330 speakers,
four R520 horns, SM1200 mixer and ASG500 power amp. It sold for
$3949.00. |
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The
Stage 9 system consisted of an SM1800 mixer, ASG500 power amp, two
R500 horns, two MAG1330 speakers, two crossovers and cables. It
sold for $2399.00. The Stage 10 system had the same
components, with JBL upgrades. The Concert Stage 9 system
had two ASG500 amps, and 4 speakers and horns, and sold for $3529.00.
The Concert Stage 10 had the same components as the Concert Stage
9, with JBL speakers & horns, and sold for $4275.00. The Super
Concert Stage 9 had 4 ASG500 amps, and eight MAG1330 and eight R500
horns with am SM1800 mixer (shown, left). The Super Concert
Stage 10 was the same as the Super Concert Stage 9, with JBL
speakers and horns. It sold for $7295.00. |
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